Aidan Villani-Holland
Christie Beveridge
Language Arts II: Critical Theory
4/29/13
Christie Beveridge
Language Arts II: Critical Theory
4/29/13
The
Critical Theorist Within
We
have found the critical theorist within Lois Tyson! In the “Post Colonial
Theory section of Critical Theory Today,
Lois Tyson describes how The Great Gatsby
relates to post colonial theory. In my opinion this is the strongest reading of
Gatsby that we’ve seen in this book. In my opinion, though she poses valid
points about Gatsby and Tom later in the chapter, by far the strongest points
are near the beginning where she proves that, despite his easy-going attitude
and general likeableness, Nick Caraway indeed practices a colonial mindset.
On
page 435, Tyson writes, “For example, the woman he has hired to keep his house
and cook his breakfast, whom he sees every day, is referred to six different
times and always by such appellations as ‘My Finn’(88; ch.5) and ‘the Finn’
(89; ch. 5). Her language consists of ‘muttering Finnish wisdom to herself over
the electric stove’ (8; ch. 1) and even her walk – ‘the Finnish tread’” Here,
Tyson presents overwhelming evidence of Nick’s colonial way of thinking through
defining his housekeeper simply by her nationality and by defining everything
she does as “Finnish” in some way.
Later
on the same page, Tyson writes, “Nick introduces Wolfsheim to us as a “small
flat-nosed jew” (75; ch.4), and we are told very little else about his
appearance except for his nose.” Here, Tyson again shows Nick’s colonial
thought process by the fact that he not only describes Wolfsheim only by his
nose, but he also describes his nose as, “jewish.” Nick also continues to
describe Wolfsheim’s nose throughout the book, thus proving that that is the
main aspect he thinks about, and backing up Tyson’s point.
Finally,
on page 436, Tyson writes about a scene where Gatsby describes African
Americans in a limousine, “He describes them as ‘two bucks and a girl’ and
says, ‘I laughed aloud as the yolks of their eyeballs rolled toward us in
haughty rivalry.” Here, Nick further proves Tyson’s point by describing black
people like animals. This scene is the best example of Nick’s “othering,” as he
puts the black men below himself by comparing them to animals.
There
were no parts of this section that were weak, but by far the strongest point
was when she refers to Nick. Tyson is finishing strong with this section.
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